| ACTION |
RESULTS |
|
|
|
| |
Back |
Tip |
Tone Quality |
Response |
| 1) Squeeze 1st wire from the sides |
More arch |
More open |
Darker, more robust, less reedy, higher pitch |
More resistance, reed will feel stronger to lips, tonguing will improve in low register |
| 2) Squeeze 1st wire top and bottom |
Less arch |
Less open |
Lighter, more reedy, thinner, slight pitch drop |
Less resistance, reed will feel weaker to lips, tonguing will improve in high register, reed will play easier in middle and high register |
| 3) Squeeze 2nd wire from the sides |
Remains about the same |
Less open |
More reedy but not as much as in 2) |
Less resistance, easier to tongue staccato, low register will not respond to fortissimo |
| 4) Squeeze 2nd top and bottom |
Remains about the same |
More open |
Little darker, little higher pitch |
Slight increase in resistance, low register will be stronger |
| 5) Squeeze 2nd wire from sides first, then 1st wire from sides next |
Much more arch |
More open |
Much darker, more robust, higher pitch |
More resistance, reed will feel heavier and stronger to lips, light tonguing will be sluggish |
| 6) Squeeze 2nd wire top and bottom then 1st wire the same |
Much less arch |
More at first then less |
Darker, more robust, less reedy, higher pitch |
Much thinner and lighter, reedy, pitch will drop |
| 7) Squeeze 2nd wire from sides first, then 1st wire top and bottom |
Less arch |
Much less open |
Darker, more robust, very reedy, thin and lighter than 6) |
Even less resistance than 6) |
| 8) Squeeze 2nd wire top and bottom, then 1st wire from the sides |
More arch |
Much more open |
Very dark sound, more robust and heavy, pitch is raised |
Great increase in resistance, reed will feel much stronger to lips, improves fortissimo in low register |
| Part of the Reed |
Condition |
Effect |
Remedy |
| Tip |
Too thick |
Hard attack; sharp, fuzzy tone; inadequate forte |
Thin the tip |
| Tip |
Too thin |
Raucous, buzzy attack; flat, thin tone; inadequate forte |
Cut the tip |
| Back |
Too thick |
Sharp, increased resistance in reed |
Thin the back |
| Back |
Too thin |
Flat insufficient resistance, inadequate tone center |
Cut the tip |
| Center |
Too thick |
Tone too dark, uncentered |
Thin the center |
| Center |
Too thin |
Tone too bright, insufficient resonance |
Thin the sides |
| Blade edges |
Too thick |
Excessive reed resistance |
Thin the edges |
| Blade edges |
Too thin, not parallel |
Leaking edges, insufficient sound, flat |
No remedy |
| First Wire |
Too flat |
Flat (especially high register), difficult control, tip opening too small |
Open tip |
| First Wire |
Too round |
Sharp, (especially low register), tip opening too large |
Close the tip |
| Bore |
Reaming residue |
Fuzzy tone, increased reed resistance |
Clean bore with rat-tail file |